Shooting JPEG or RAW in your photography workflow

JPG or Raw Workflow

As these tutorials are gone for those individuals who have an interest in digital photography, we’re going to restrict our discussion to the two document formats that are most essential to photographers – JPEG and RAW.

JPEG is a compressed record format that is an industry standard, and thus can easily be seen by any PC and on the Web. Because of being compressed, JPEG files take up far less space than RAW files, however contain less detail and are lower in quality.

Crude format refers to an uncompressed record that preserves a high element scope of subtle element in your photo. Crude files are expansive, and have to be changed over before they can be seen on a PC, or printed.

If you would prefer not to manage converting your files later and have restricted space, shoot in JPEG format. If top notch photos are your main need, shoot in RAW format.


JPEG (named after the Joint Photographic Experts Group who made the standard) has been received as an industry standard document format for storing digital photographic images. There are several document extensions for this format, however “.jpg” is the most widely recognized.

JPEG uses lossy compression to lessen the size of a real document by discarding some of information that contains details in the picture that the human eye can’t see exceptionally well. These areas include small shading details as well as small details of light-and-dim. JPEG’s lossy compression works best for photos with the smooth variety of tone and shading.

Lossy compression eliminates repetitive or unnecessary information, resulting in a document of a much smaller size. This makes JPEG an especially useful and popular format for storing and transmitting images on the internet, where smaller record sizes are imperative.

At the point when a JPEG record is made (or a picture is changed over from another format to JPEG), you can determine the nature of the JPEG document by adjusting the measure of compression used. Remember that creating the highest quality picture possible will result in a substantial sized material. Then again, sacrificing some picture quality will permit you to make a JPEG document that is much smaller in size.

Warning: JPEG files lose some picture quality every time they are altered and saved. So, alter your picture first in a lossless format (TIFF or RAW, for instance). At that point, when you’ve made every one of your edits to your satisfaction, save the final picture as a JPEG record.


Raw picture files are fundamentally used by photographers who desire complete control over their picture. Crude files preserve the most extreme measure of picture subtle element possible, resulting in higher picture quality. In any case, preserving this information means RAW files are commonly vast.

About every digital camera can process the picture from the sensor into a JPEG record using the settings (white equalization, shading saturation, contrast, and sharpness) that were selected on the camera when the photo was taken. Cameras that deliver RAW picture files save all the resolution information (some of which would be lost when a picture is changed over to JPEG format) and also save the settings (without applying them to the picture).

Think of a RAW picture document as the digital proportionate to a negative in film photography. Similar to a negative, an RAW material is not specifically usable as a picture, but rather contains the greater part of the information needed to make a picture. Like a negative, an RAW digital picture contains more information than will usually be seen in the final processed picture.

So, an RAW picture is a record that contains simple information. It provides the full resolution information caught by the image sensor of a digital camera. What’s more, every one of the settings surrounding the capturing of the photo (gap, shutter speed, white equalization, contrast, sharpening, and saturation values) are preserved in the record, yet not connected to the image.

To create an image from a RAW file, the document will have to be changed over and processed. While this results in an additional step for the photographer, it allows for complete control over the finished picture.

There is no single crude format. Every producer uses their unique formats, which are altogether known as RAW. This means that just the camera that caught the photo can understand the information gathered on its sensors.

FYI: Cameras that support RAW files commonly accompany restrictive software for conversion of their crude picture information into standard RGB images. On the other hand, outside processing and conversion programs and plugins are accessible from vendors that have either licensed the innovation from the camera maker or built up their processing algorithms.

Should I shoot in JPEG or RAW?

Whether to shoot in JPEG or RAW all depends on what you plan to do with the images you shoot. If you are taking snapshots of a family cookout for your online journal, JPEG will presumably be fine. (Unless you plan to do a considerable measure of post-processing and editing on the photo before saving it as a JPEG to transfer to your web journal). Shooting in JPEG mode will also permit you to store numerous more images on your camera’s memory card.

Numerous digital cameras today have the capacity to save images both as JPEG and RAW. While this takes up a ton of space on your memory card, you can see the JPEG version promptly on your PC, and also have the choice to adjust the RAW record if you wish to.

Shooting in RAW will take up a ton of space on your camera’s memory card. Converting and then processing the RAW files before saving them in a format such as JPEG also entails additional time and effort. In any case, photographers who need the greatest control over their final picture shoot in RAW because of the adaptability it gives them in altering and adjusting the picture in post-processing.